‘I definitely needed a lie-down after that!’ The most gripping episodes of TV ever
Spooks – I Spy Apocalypse from 2003
The episode begins with the intelligence unit restricted during a training exercise relating to a hypothetical terrorist attack, supervised by two Home Office agents. As the situation develops, it becomes clear a real incident has taken place with a chemical weapon released. The anxiety increases as messages indicate a disaster happening externally, and escalates as the superior shows signs of exposure, with the two officials trying to exit, pushing the protagonist portrayed by Matthew Macfadyen to opt for either shooting them or allowing them to leave and endangering the sterile MI5 environment. This being Spooks, the outcome is expected.
Threads (1984)
Threads had minimal funding yet among the scariest shows I’ve ever seen because of the stark reality and grim official statistics. Viewed it recently after seeing the first airing; I often attended the bar in Sheffield from the programme that highlighted the truth and the casual, straightforward government details that were transmitted. Remaining completely frightening decades on.
The 2022 Severance episode The We We Are
The concluding episode of Severance’s debut season ranks highly in terms of gripping installments. I remained for the whole show actually sitting tensely, exerting with Dylan to hold the switches that allowed the Innies to remain active, while yelling at the Innies to get their truths out there. The ultimate peak – “she is living!” – felt like an explosion.
Industry – White Mischief from 2024
The fifth episode of Industry’s third season caused my heart to pound. I had to pause and get up and leave the room several times due to the immense extent of the wanton self-destruction I saw. Rishi Ramdani is in deep shit at work and home – up to his eyeballs in debt to illegal creditors due to his addictive betting, assuming hazardous chances with a gamble on the pound which could lose his company millions. Inevitably, he starts a gaming binge, uses copious drugs and alcohol and alternates between success and failure, is brutally attacked. Whenever you assume things cannot decline more, it deteriorates. There’s hope of redemption by the episode’s conclusion but he misses the opening, leading to terrible outcomes during the season’s final episode. Definitely needed a lie-down after that!
Peep Show – Holiday (2007)
Peep Show is not inherently a tense series. However, the Holiday episode features such degrees of awkwardness that it will make you rise for the full show, permeated with worry. The tension escalates as Jeremy and Mark discover having to lie about the dog they by chance collide with and following tries to eliminate it. You subsequently use the rest of the installment questioning whether it truly can be worse than incineration, and it turns out to be!
The West Wing – The Two Cathedrals from 2001
No other viewing has been as gripping as when I first saw the second season finale of The West Wing. The show opens with the fallout of the passing (in a road incident) of the president’s private assistant and escalates to a高潮 with a crisis in Haiti, and the repercussions of the secrecy of the president’s MS diagnosis, coupled with verification of his aim to run for another term. Excellent TV. Never bettered.
Bodyguard – episode one (2018)
The opening of the British series Bodyguard, featuring the main character on a train with his young son, is personally a top tense installment. He spots a Muslim woman entering the restroom and knows something is off. The bomb diffuser experts are called, enter the train, and attempt to convince the woman to take off her suicide vest. Suspense rises to a practically unendurable point, until yes, the vest is diffused.
The 2001 Buffy episode The Body
Buffy enters her house to find her mum has passed away of natural causes, which is the most unusual type of death in this paranormal series. The episode has no background music, a gloomy atmosphere, and we see the episode through the experience of Buffy’s astonishment upon finding her mother.
The Sopranos – Made in America (2007)
The concluding moment of the last installment of the series was extremely nerve-wracking. And for those who saw it during its initial broadcast, you – initially – were uncertain of the reason. Tony’s enemies, real and imagined, were all vanquished. Doesn’t this resemble the season one conclusion? “Think about the small elements.” However, the vibe is oddly threatening. Almost Twin Peaks levels of terror. The clan sits in an eatery. Meadow stops the car. Tony gloomily informs Carmela difficulties are arising with an additional associate cooperating with the officials. Meadow parks. Strange people enter the restaurant. Look at Tony(?) Meadow is parking. Tony selects a song on the jukebox. Meadow parks. The bell sounds, an individual enters. It cannot be Meadow, she is still parking. Tony looks up. Continue. It ceases. My heart sank about 20 minutes later.
The Walking Dead – The Last Day on Earth from 2016
I kept late hours to see this show at 2am. It was so intense after the buildup of bad guy Negan locating the survivors, cruelly taunting his victims and then leaving the victim unknown (concluded with a suspenseful moment). The first-person perspective of the victim and the subdued noises – oh no! {We then had to wait for season seven|We then needed to await season